Dina Pathak

 ( 1922 Births ) 

At a young age, she joined the Indian National Theatre as an actress. She became known for her student activism, where Bhavai, a folk theatre form from Gujarat, was used extensively to create awareness about the British Raj, in the pre-independence era; this led to her close association with Indian People's Theatre Association (IPTA), "The Grand Dame of Indian Cinema" The Tribune, 11 April 1999 along with her elder sister Shanta Gandhi and younger sister Tarla Mehta; while in Mumbai, she had an important hand in reviving the Gujarati theatre there, along with fellow Gujarati actors like Kailash Pandya and Damini Mehta. "Veteran actress Dina Pathak passes away" The Indian Express, 12 October 2002.

Although she made her film debut with a Gujarati film, Kariyawar (1948), she returned to theatre after acting in just one film. She continued playing to packed audience in plays by Indian People's Theatre Association (IPTA) and Shanti Bardhan's Ballet troupe. Later she formed her own theatre group in Ahmedabad called "Natmandal", even today, she is remembered as a stalwart performer and a theatre activist at IPTA.

In her mid-40's, she made a comeback to films, two decades after her debut, with Basu Bhattacharya's Uski Kahani (1966), for which she won the Bengal Journalists Association Award. She made four films in the 1960s, including Hrishikesh Mukherjee's classic Satyakam (1969), Saat Hindustani (1969), starring Amitabh Bachchan in his debut role and the Merchant Ivory Productions, The Guru (1969). By the 1970s, she had become a favourite of art and commercial films alike, playing powerful motherly and grandmotherly roles. It was in these films that she became recognised as the Grand-Old-Mother of Hindi films.

Films that stand out in this era are Gulzar's Mausam (1975), for which she earned her first nomination for the Filmfare Award for Best Supporting Actress, Kinara (1977) and Kitaab (1977), and sweet comedies like Basu Chatterjee's Chitchor (1976), Gharaonda (1977) and also in an art cinema classic, Shyam Benegal's Bhumika (1977), which saw her standing tall alongside another acting legend, Smita Patil, in her career's best performance.

Just as the 1970s ended, she was seen in the comedy classic, Hrishikesh Mukherjee's Gol Maal (1979), where she essayed the role of Kamala Shrivastava, a middle-aged woman who sportingly plays mother to Amol Palekar, who went on to direct her in his 1985 film, Ankahee. The next decade began with another career-best performance, as a stern disciplinarian matriarch in Hrishikesh Mukherjee's Khubsoorat in (1980), closely followed by Bhavni Bhavai (1980). She earned two nominations for the Filmfare Award for Best Supporting Actress for her performance in the former two films. In 1980, she was also awarded the Sangeet Natak Akademi Award. During the '80s, she also appeared on the popular TV series, Malgudi Days. In 1984, she appeared in A Passage to India. She gave powerful performances in Ketan Mehta's Mirch Masala (1985), Govind Nihalani's Tamas (1986) and once again she worked with Gulzar in Ijaazat (1987).

Perhaps her career's best came in another comedy when she appeared in Deepa Mehta's Bollywood/Hollywood (2002) for which she was nominated for Canadian Screen Award for Best Supporting Actress at the 23rd Genie Awards. Bollywood Hollywood gets 5 Genie nominations, The Times of India, 3 January 2003, She was also portraying the role of Badi Maa in the cult show Khichadi (2002).